
This month, we take a tour of four historic LA filming locations from movies spanning 1915 through 1988:
A rookie cop is paired up with a more experienced cop and they are assigned to control gang activity in Los Angeles neighborhoods.
In 1905, developer Abbot Kinney looked at a stretch of soggy marshland along the Santa Monica Bay and saw a vision of Europe. He transformed the swampland into "Venice of America," a romantic nod to Italy complete with an elaborate system of canals. To draw crowds, he added a massive amusement pier modeled after Brooklyn’s famous Coney Island.
However, fate had a volatile relationship with the pier. Just a few years after opening, the original structure was entirely destroyed by fire. It was rebuilt and enjoyed a multi-decade run, but the story ended in smoke once more. In 1947, after being condemned by the City of Los Angeles, a second blaze struck the pier - ironically saving local government a massive demolition bill.
Fast forward to 1988, when Director Dennis Hopper brought the gritty crime drama Colors (starring Sean Penn and Robert Duvall) to film on location. By this point, the seaside neighborhood was almost unrecognizable from Kinney's original layout. Most of the iconic canals had been filled in, and modern development had crowded out much of the turn-of-the-century architecture.
Even so, a handful of enduring landmarks made cameo appearances in the film and can still be visited today:
Our detailed breakdown of the Venice Beach filming locations in Colors tracks these urban transformations across the decades.
For instance, in the filming location then and now match-up featured above, you can watch Sean Penn cruising east down Speedway. As the camera looks up 18th Place, the distinctive 1920s facade of 1802 Pacific Avenue perfectly frames the background of the shot.
Quick Preview Video: Catch more of the Venice Beach filming locations from Colors in this preview video:
Colors - High Top Chase Scene - Filming Location - Quick Preview Video
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Colors - High Top Chase Scene - Filming Locations Then and Now - Complete Documentary Video
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Colors - High Top Chase Scene - Complete Filming Locations Photo Gallery
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Farina has become very superstitious and believes he can put spells on other people.
From the moment the franchise debuted its first silent film in 1922, the creative team behind Our Gang (popularly remembered as The Little Rascals today) regularly utilized the historic Palms neighborhood on the Westside of Los Angeles.
The studio executives consistently selected this particular corner of LA for two primary reasons:
When it came time to shoot the outdoor sequences for Spook Spoofing, the production crew centralized their efforts. Almost all the on-location footage was captured within a compact, single-block radius surrounding the crossroads of Motor Avenue and Woodbine Street.
In the then and now filming location comparison photo shown above, the iconic childhood cast is captured on the west side of the 3400 block of Motor Avenue.
Though the surrounding Westside landscape has undergone dramatic architectural shifts over the last hundred years, a singular, enduring anchor bridges the gap between these two eras: Palms Elementary School. Built back in 1925, this historic school building remains active today. If you look closely, it can be spotted way in the background of both the original movie still and the present-day photograph.
Take a look at the Quick Preview video of filming locations from movie here:
Our Gang / The Little Rascals - Spook Spoofing - Quick Preview Filming Locations Video
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Our Gang / The Little Rascals - Spook Spoofing - Complete Filming Locations Photo Gallery
Our Gang / The Little Rascals - Spook Spoofing - Complete Filming Locations Video
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Charlie causes trouble in a park and is chased by two men. The chase ends up in a house, where Charlie quickly changes into women's clothes in order to trick the two men who were chasing him.
Much like his contemporary silent film pioneers of the 1910s, Charlie Chaplin frequently transformed the public parks of Los Angeles into sprawling, open-air production sets. By doing so, he effortlessly turned casual park-goers' afternoon scenery into timeless cinematic comedy. For his classic 1915 short film A Woman, Chaplin relied heavily on this technique - and in the process, accidentally created a flawless, historic time capsule of Lincoln Park as it existed over one hundred years ago.
While the park's expansive, iconic lake draws immediate attention, the area's most defining architectural centerpiece is the historic Lincoln Park Boathouse.
The timeline of this landmark highlights a fascinating journey of survival:
Today, this enduring landmark operates as a celebrated cultural hub, offering essential multidisciplinary arts education and community enrichment programs to the Eastside neighborhoods of Los Angeles.
Throughout the park scenes in A Woman, viewers are treated to an exceptionally clear, wide-angle view of this lakefront property.
In the then and now filming location comparison photo featured above, you can analyze a direct match-up of the facility as it looked in 1915 against its present-day appearance. Thanks to generations of dedicated preservation initiatives, the historic boathouse stands completely revitalized, flawlessly maintained, and serves as a tangible, physical connection to the earliest days of Hollywood history.
Take a look at the Quick Preview video of filming locations for the Charlie Chaplin movie A Woman here:
Charlie Chaplin - A Woman - Quick Preview Filming Locations Video #2
Current members can see all the filming locations, then and now, from this Charlie Chaplin movie by Logging into the site and clicking here:
Charlie Chaplin - A Woman - Complete Filming Locations Photo Gallery
Charlie Chaplin - A Woman - Complete Filming Locations Video
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Laurel and Hardy are employed as "repo men" and attempt to take back a radio from deadbeat Edgar Kennedy.
For enthusiasts of vintage Hollywood production movie locations - especially silent slapstick from the 1920s and the early talkies of the 1930s - there is an essential pilgrimage site in the greater Los Angeles area: Main Street in Culver City.
This historic, single-block corridor, tucked neatly between Venice Boulevard and Culver Boulevard, functioned as a premier open-air studio space for comedy legends. Within this brief stretch, Laurel and Hardy, Our Gang / The Little Rascals, Max Davidson, and Charley Chase captured some of their most enduring cinematic routines on film.
To assist you on your next cinema-inspired walking tour, here is a breakdown of several classic shorts filmed along this historic block:
A remarkable record of early Los Angeles and Culver City urban landscape can be found in this 1929 Laurel and Hardy short, Bacon Grabbers.
In the then and now filming location match-up featured in the photo above, Stan and Ollie are en route to Edgar Kennedy's home to repossess a radio. As their vehicle travels west on Venice Boulevard, they prepare to execute a sharp right turn to head north onto Bagley Avenue - which is the official name Main Street transitions into just before it crosses to the north side of Venice Boulevard.
A key point of orientation for modern film location sleuths in this sequence is the commercial property situated at 9345 Venice Boulevard (which currently functions as a yoga studio).
Take a look at the Quick Preview video of this Laurel and Hardy filming location here:
Laurel and Hardy - Bacon Grabbers - Quick Preview Filming Locations Video #3
Current members can see all the filming locations, then and now, from this Laurel and Hardy movie by Logging into the site and clicking here:
Laurel and Hardy - Bacon Grabbers - Complete Filming Locations Photo Gallery
Laurel and Hardy - Bacon Grabbers - Complete Filming Locations Video
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In case you missed it: My May 2026 featured filming locations then and now photos blog entry.
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